Kino Flo Image DMX 87 and 47

Kino Flo Image DMX

P.O.A

The Kino Flo Image DMX 87 fixture’s large soft light coverage and its small, energy footprint, combined with the ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

Description

The Kino Flo Image DMX 87 fixture’s large soft light coverage and its small, energy footprint, combined with the ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

The relatively cool source takes about six different coloured visual effects lighting colors, but most notably the specialized Kino Flo spiked blue and spiked green tubes for deep, rich saturation of colour when lighting blue and green coloured cyclorama stages.

Its smaller sibling, the Image 47 DMX, produces the same quality of light, with the same light control and beam spread features, but uses half the energy. The Image 47 works ideally on bluescreen and greenscreen stages that are no more than 15 feet in height.

The Image 87 and 47 are soft, broad lighting sources. In the film world, the Image 87 is probably the most popular light for lighting blue and green screens because of its even cast of light and individual lamp control. It is also a popular light on stage and location used outside of a window, a large front or side fill, or as a top light.

The Image 47 is the same light output as the 4ft 4Bank. The advantage for some applications is that the Image 47 has a built-in, onboard ballast. It also has DMX control and Yoke or Pole-Op Yoke Mount. So for news studios and smaller virtual studios, it is the ideal light source.

Variations:

Image 87 DMX Yoke Mount, 120VAC
Image 87 DMX Yoke Mount, 230VAC
Image 87 DMX Pole-Op, 120VAC
Image 87 DMX Pole-Op, 230VA

Image 47 DMX Yoke Mount, 120VAC
Image 47 DMX Yoke Mount, 230VAC
Image 47 DMX Pole-Op, 120VAC
Image 47 DMX Pole-Op, 230VAC

Features

  • Metal alloy fixture includes gel frame, louver and cardholders
  • Broad, even light – ideal for blue and green screen
  • Low amperage draw, energy savings
  • Long lamp life, low lamp replacements, low maintenance labour
  • Low operating temperature
  • Low air-conditioning costs
  • More efficient heat management design for stable colour temperature
  • Uses 5500K, 3200K and 2900K, 420nm blue and 525nm green lamps
  • Mix lamps for various colour temperatures
  • High colour rendering True Match lamps work well alongside conventional quartz lights or HMI’s.
  • DMX control for stable colour temperature and light level control
  • Colour Gels do not burn out or fade due to lower heat of fixture.
  • Traditional Yoke Mount with two position setting, Pole-Op

Technical Specifications

Image 87 DMXImage 47 DMX
Input voltage230VAC -50/60Hz
or 120VAC – 50/60Hz
 230VAC -50/60Hz
or 120VAC – 50/60Hz
Output frequency25kHz 25kHz
Amperage230VAC: 2.4A / 120VAC: 4.8A 230VAC: 1.1A / 120VAC: 2.3A
Lamp switching 1~81~4
Output SwitchingHO/StdHO/Std
LampsF75/T12F75/T12
DimensionsYoke mount and Pole op:
54 x 28 x 6.5″
(137 x 71 x 16.5cm)
Yoke mount and Pole op:
54 x 17 x 6.5″
(137 x 43 x 16.5cm)
Weight w/lampsYoke mounted: 39 lb (18kg)
Pole op: 43lb (19.5kg)
Yoke mounted: 23lb (10.5kg)
Pole op: 25lb (11.5kg)

Photometrics

Image 87 Photometric Data:

Feet/Metres 2/0.5 4/16 /1.58 /210 /2.5 12 /3 14/3.5 16/4 18/4.5 20/5
FC/
LUX
930/
12490
325/
4748
160/
2412
94/
1443
61/
958
44/
678
33/
505
26/
394
20/
320
17/
265

 

Image 47  Photometric Data:

Feet/Metres 2/0.5 4/16 /1.58 /210 /2.5 12 /3 14/3.5 16/4 18/4.5 20/5
FC/
LUX
531/
7404
173/
2261
84/
1303
49/
775
32/
503
22.5/
356
17/
267
13/
208
10.5/
168
8.5/
135

 

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